So that happened
So, if you follow me on other social media, you probably noticed that I saw Hamilton this past weekend. Saturday night, to be exact.
Yeah. That Saturday night. It was pretty awesome.
Thanks to all of you and your way more focused attention to pop culture, I was aware of Hamilton much earlier than your average Southern, suburban soccer mom. I'd watched LMM's performance at the White House and had even shown it to my mom (she'd been a high school history teacher and is generally where I get my love of the subject.) She made me play it about 10 times so she could catch all the lyrics. (So, yeah, please pat yourselves on the back for spreading the word not just to the soccer mom cohort but to their retired mothers, too.)
And, y'know, that would have been it, because while we are not lacking for money, cash for tickets on the StubHub market really isn't in my budget (braces x3, college tuition x3, eeeeverything x3--it all adds up quick.) But then my mom passed away, quite unexpectedly. She'd been in fragile health for the last few years, due to the interaction of breast cancer chemo with some stuff that had happened because of colon cancer three months before she started on the breast cancer journey (she'd also lost a kidney to cancer about 20 years ago, which meant she had 3 unrelated cancers, survived them all, but the treatment was what finally got her.) She had so many things going on that it shouldn't have been a surprise when she slipped away, but it was pretty unexpected.
She had a lot (" ") of pictures (5 or 6 of the giant Rubbermaid tubs packed full of albums and boxes and envelopes of old snapshots) and just seeing how quickly she'd gone from being healthy and vibrant to fragile and barely able to live alone was what really kicked me in the teeth, even more than her passing. Plus, I knew there were lots of things that she and my dad had planned on doing after they retired that never happened.
And then, my brother and I had basically expected that all the money she and my dad had saved would go toward paying for her medical care, but suddenly we were looking at an actual inheritance (a modest one, but still there was a little money to split.) It's been weird.
So in the middle of all that, American Express sent me an upsell email saying that they had access to resale tickets for otherwise sold-out Broadway shows and my brain latched onto the thought and wouldn't let go. All the reasons I wouldn't ordinarily think about something like this seemed lame: the money was there (though let's not talk about how much even the rear mezzanine cost), the kids are mostly self-sufficient, and LIFE IS SHORT. I gulped and gave TicketMaster my AmEx number, working around D's crazy schedule and buying tickets in February for July.
Of such things are astonishing weekends made.
Because, yeah, the tickets I bought because I was trying to tiptoe through the non-stop tournaments my husband coaches and manages ended up being for the last performance with the main cast. And of course, despite my care with D's schedule, it ended up being BabyBoy who flew up with me and walked all over Manhattan for the long weekend.
I hadn't said anything much about having the tickets, first because it was so far in the future, and then because my brain was having conniptions about the tickets being resale and everything possibly falling apart as we walked in the door. I swear I almost cried when the ushers scanned us in with nothing but a 'keep moving, keep moving' (the entire theater was lined up along 46th Street and attempting to get to their seats in the final 30 minutes.)
But, yeah, it worked and we were in, and BabyBoy's first Broadway show was *crazy*. The energy was off the charts, the cast and the audience in one giant feedback loop. It's a good thing we all know the words to Alexander Hamilton because I don't think I heard more than 10% of them. Every time a new voice chimed in, the audience applauded and we had to stop for a minute as soon as the spotlight hit LMM because the audience would. not. shut. up. And it's not like they had quieted down after that minute or so, it was just that the orchestra started back, really really loudly.
It was bonkers—the girls behind us cried through the entire show; the entire audience sang along with King George; I thought Daveed Diggs might have actually launched himself into the audience during Guns and Ships; Leslie Odom lost it on stage, cracking up at Rory O'Malley dabbing with the crown; and Christopher Jackson basically manhandled LMM out to take a solo bow as the orchestra played the theme from The West Wing during the final curtain call (which I'm sure you've all seen.) And that was before we stood in the rain on 46th St because we couldn't bear to leave (sharing umbrellas with some kind fans who'd been there all night) and watched the crowd go nuts as Lin waved from the window. Our hotel room happened to face out over the theater and even from 50 floors up, we could hear people cheering as the cast finally left.
Totally bonkers. In all the best ways.
Okay, so, pictures (click for bigger):

The view from the room toward Times Square

The view toward the river

From the room looking straight down on 46th St...

...which, if you zoom in on the little square in front of the black roof gives you the theater

The marquee from the street

The billboard across from the hotel entrance

The program is nice but I love the button they were handing out with any purchase, :)
Yeah. That Saturday night. It was pretty awesome.
Thanks to all of you and your way more focused attention to pop culture, I was aware of Hamilton much earlier than your average Southern, suburban soccer mom. I'd watched LMM's performance at the White House and had even shown it to my mom (she'd been a high school history teacher and is generally where I get my love of the subject.) She made me play it about 10 times so she could catch all the lyrics. (So, yeah, please pat yourselves on the back for spreading the word not just to the soccer mom cohort but to their retired mothers, too.)
And, y'know, that would have been it, because while we are not lacking for money, cash for tickets on the StubHub market really isn't in my budget (braces x3, college tuition x3, eeeeverything x3--it all adds up quick.) But then my mom passed away, quite unexpectedly. She'd been in fragile health for the last few years, due to the interaction of breast cancer chemo with some stuff that had happened because of colon cancer three months before she started on the breast cancer journey (she'd also lost a kidney to cancer about 20 years ago, which meant she had 3 unrelated cancers, survived them all, but the treatment was what finally got her.) She had so many things going on that it shouldn't have been a surprise when she slipped away, but it was pretty unexpected.
She had a lot (" ") of pictures (5 or 6 of the giant Rubbermaid tubs packed full of albums and boxes and envelopes of old snapshots) and just seeing how quickly she'd gone from being healthy and vibrant to fragile and barely able to live alone was what really kicked me in the teeth, even more than her passing. Plus, I knew there were lots of things that she and my dad had planned on doing after they retired that never happened.
And then, my brother and I had basically expected that all the money she and my dad had saved would go toward paying for her medical care, but suddenly we were looking at an actual inheritance (a modest one, but still there was a little money to split.) It's been weird.
So in the middle of all that, American Express sent me an upsell email saying that they had access to resale tickets for otherwise sold-out Broadway shows and my brain latched onto the thought and wouldn't let go. All the reasons I wouldn't ordinarily think about something like this seemed lame: the money was there (though let's not talk about how much even the rear mezzanine cost), the kids are mostly self-sufficient, and LIFE IS SHORT. I gulped and gave TicketMaster my AmEx number, working around D's crazy schedule and buying tickets in February for July.
Of such things are astonishing weekends made.
Because, yeah, the tickets I bought because I was trying to tiptoe through the non-stop tournaments my husband coaches and manages ended up being for the last performance with the main cast. And of course, despite my care with D's schedule, it ended up being BabyBoy who flew up with me and walked all over Manhattan for the long weekend.
I hadn't said anything much about having the tickets, first because it was so far in the future, and then because my brain was having conniptions about the tickets being resale and everything possibly falling apart as we walked in the door. I swear I almost cried when the ushers scanned us in with nothing but a 'keep moving, keep moving' (the entire theater was lined up along 46th Street and attempting to get to their seats in the final 30 minutes.)
But, yeah, it worked and we were in, and BabyBoy's first Broadway show was *crazy*. The energy was off the charts, the cast and the audience in one giant feedback loop. It's a good thing we all know the words to Alexander Hamilton because I don't think I heard more than 10% of them. Every time a new voice chimed in, the audience applauded and we had to stop for a minute as soon as the spotlight hit LMM because the audience would. not. shut. up. And it's not like they had quieted down after that minute or so, it was just that the orchestra started back, really really loudly.
It was bonkers—the girls behind us cried through the entire show; the entire audience sang along with King George; I thought Daveed Diggs might have actually launched himself into the audience during Guns and Ships; Leslie Odom lost it on stage, cracking up at Rory O'Malley dabbing with the crown; and Christopher Jackson basically manhandled LMM out to take a solo bow as the orchestra played the theme from The West Wing during the final curtain call (which I'm sure you've all seen.) And that was before we stood in the rain on 46th St because we couldn't bear to leave (sharing umbrellas with some kind fans who'd been there all night) and watched the crowd go nuts as Lin waved from the window. Our hotel room happened to face out over the theater and even from 50 floors up, we could hear people cheering as the cast finally left.
Totally bonkers. In all the best ways.
Okay, so, pictures (click for bigger):

The view from the room toward Times Square

The view toward the river

From the room looking straight down on 46th St...

...which, if you zoom in on the little square in front of the black roof gives you the theater

The marquee from the street

The billboard across from the hotel entrance

The program is nice but I love the button they were handing out with any purchase, :)

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